Duro Olowu returned to London this season to show his scrumptiously chic A/W collection (he's been showing in New York for the past two years). One of my most favourite designers and a very warm-hearted man to boot, through his clothes he shows us seemingly endless ways to wear texture, colour and print at its most joyful, and those ways are becoming more and more refined and sophisticated without stifling one bit of his infectious exuberance. I can only imagine how special you would feel wearing one of his garments. (When I met Duro last autumn his lovely wife was with him and looked fantastic wearing one of his exquisite jackets.)
Look beyond the no-pants, high top trainer, face-eating-muff styling by Katie Grand and you'll see some very gorgeous knits from this sister line of the knitwear house Sibling, appropriately named Sister by Sibling. (Sometimes I feel the need to explain why catwalk presentation can be odd, for the non-fashion readers. Like my Dad. "Why isn't she wearing pants? Who goes out without pants?" "No one, dad. But you notice the sweater, right? And the hat?" "No, I'm wondering why she's not wearing pants." "Never mind, Dad.") Anyway, massive scarves in a gorgeous slubby texture are appealing in a primal way - don't we all seek that kind of assured comfort in the cold? The short sleeves of the fair isle and rosette sweaters balance their chunkiness and make for a cute shape. And they may even look good with pants.
I love the sporty look of Clements Riberio's striped cashmere sweater with the floral mini, and the slightly punky hair that keeps it from looking too preppy. These outfits stood out from the earthier muted tones that dominated the second half of the line up.
Michael van der Ham's usual choppy asymmetry was only to be found in the zig zag of the models' hairstyle this season. The patchwork mashups were (mostly) gone, with the outfits more finished and refined. And if the models look to be even more miserable than usual (actually, with the exception of one, these were the least sour looking of the bunch) it's because van der Ham's inspiration was a 'tough girl - moody and dark.' Ok. But some actually looked like they were in pain.
Pringle of Scotland has pared down their knitwear range to focus on their signature styles, the loveliest of the bunch being the pure white gilet and skirt in an ottoman rib knit that makes you want to run your fingers over and over just as much as wear.
I always look forward to the Orla Kiely presentation in what has been her fashion week home away from home for the past several seasons, the Portico Rooms at Somerset House which she would transform into her preferred fantasyland at the time, and always on the Friday. Sometimes there would be live models (which of course I loved, they pose for you), sometimes there would be cardboard cutouts, and other times it was superimposed paper girls on the walls. I've skipped the past two seasons because fashion week takes a heck of a lot of energy, and I just haven't had it for the past year. So I was surprised to find out that Orla moved out of Somerset House and instead set up office, literally, for her fashionable, anachronistic secretaries to show off their new knit dresses, embroidered cardigans and smart handbags between typing and taking phone calls.
Click the image to watch the video of the girls at work (at fashion156.com):
Another reason I love the presentation format:
Sophia Webster showed her new range of shoes in pastel birdhouses in a pastel forest
Photos: Bora Aksu
I so look forward to inspecting the intricate details of Bora Aksu's clothes up close in the exhibition hall, post-show. The Turkish designer's signature approach involves techniques with the textiles to create all kinds of interesting textures, and mixing knitted elements with both delicate and rigid materials, like chiffons and lace, and hard leather. You can see some details from a past season here.
And undoubtedly the most joyful of presentations come from Fred Butler where you instantly feel validated for your enduring childhood attachment to colour and your desire to celebrate it now in a big way. Which Fred does every day. This season Fred took a more commercial approach and set up a pop-up shop (complete with Fred Butler-esque cupcakes by Pomp de Franc) to allow guests to interact with the goods.
Fred does a film each season and I use them for a little daydreamy escape whenever things are too gloomy in this world of ours:
Photos from Style.com unless otherwise credited