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WeSC & ALTEWAI SAOME LAUNCH HIGH END STREETWEAR

Following the wrap-up of Stockholm Fashion Week is the launch of a new collaboration between two Swedish fashion greats, skate/street brand WeSC and design duo Altewai Saome READ MORE...
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MADE LONDON RETURNS TO MARYLEBONE

The Design and Craft Fair, MADE LONDON, returns to One Marylebone 24-26 October to present the very best in contemporary craft and design. Showcasing over 120 READ MORE...
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SEA LIFE COMES TO TORONTO AT RIPLEY'S AQUARIUM

It's called Ripley's Aquarium of Canada (as opposed to Ripley's Aquarium of Toronto which would follow the format for their US locations), which is not helping the general READ MORE...
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LCM: BACKSTAGE AT ORLEBAR BROWN WITH TONI & GUY

I'm taking you backstage again! This time at Orlebar Brown's Covent Garden shop where the SS15 collection of tailored beach and resort wear was shown both in in the shop, and to the delight READ MORE...
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SHOWSTUDIO ILLUSTRATES THE MEN'S COLLECTIONS SS15

Each season Showstudio invites their favourite fashion illustrators to create their own unique view of the collections, then they present each series READ MORE...
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BOOK REVIEW: LAND/SEA VOL.1

I opened the cover of a new landscape photography periodical I had just received called Land/Sea and began browsing the photos and words as I walked into my kitchen READ MORE...
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LC:M BACKSTAGE AT MATTHEW MILLER WITH TONI & GUY

Yes, this is a men's fashion post. And it feels right. This season's London Collections: Men was my first ever thanks to an invitation from long-term London Fashion Week sponsor Toni & Guy READ MORE...
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June 03, 2014

Stockholm: Gamla Stan, The Old Town

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I've just returned from my second trip to one my favourite cities, Sweden's capital, Stockholm, where our luck with the weather was, again, so fortuitous that I should probably be buying lottery tickets. Both times it was unseasonably warm -  hot even! - by a good 10 degrees. One day I couldn't find my sunglasses and didn't have a hat, and I started to get sunstroke when I had to queue in the sun for about 30 minutes. But I wasn't going to complain about glorious weather. (Yes, I'm sensitive.) 

Even when the sun isn't present, Stockholm is a city of yellow. It's especially prominent in the structures of Gamla Stad, the 'old town', along with saturated shades of orange. The painted buildings far outnumber the naked concrete ones. But elsewhere you're only ever around the corner from a burst of sunshine.  

So let's take a little tour through the streets of Gamla Stan, to be followed for the next several days by scenes taken from the water - the architecture is varied and just so cool and colourful, and we spied many sunbathers on rocks  - and other places around Stockholm, including Marimekko who are celebrating the 50th anniversary of their iconic flower print, Unikko. (They're a Finnish heritage brand but they certainly fit well with the joyful aesthetic of Sweden.)

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Um, 7-11 is way better looking than I remember it back in Canada...even inside it's styled like an internet cafe - are we still saying that? Is there a cooler name now? The branding of American institutions in Stockholm, such as McDonald's (there are not many others visible in the city), assumes a higher level of sophistication when communicating to its demographic. In that it doesn't seem to be parsing out a specific segment of the population to talk down to. I might be jumping to conclusions here, but you can see the tax dollars (or krona in this case) put to good use. People are well taken care of in terms of social programs, the streets are clean, there's a commitment to green spaces and work/life balance, gender equality is a reality and not a lofty notion, and you have to go out of your way to find food that's not good for you. And although it's a very expensive city, the salaries are commensurate with the cost of living. So it's just us tourists that feel the crunch! But it's worth it. It's a city of people who actually look happy. And healthy. I've mentioned their peachy glow before which I admit I am in awe of. Peachy glow! People here in the UK pay for that and then wind up looking orange. (Hint: it comes from within. You can't buy it.) 

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Pippi Longstocking was the trendsetter for this look: 

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Even a sophisticated city like Stockholm has its cheesy tourist shops, though they're thoughtfully condensed to one street. This t-shirt that survived the 70s was only trumped by the 'Rasta Baby' - a stoned baby in a pot leaf-emblemed hat smoking a joint. I'm not showing that, I don't want it on my blog! I didn't want it on my brain, either. 

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Walking out of Gamla Stan toward the water will take you through the Parliament buildings and the palace:

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Notice the Brutalist addition to the top of this wing of Parliament building (above). 

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The parliament building is quite a grand presence (above), while the palace across the water is less ornate, at least from this viewpoint. Love the yellow guard station though:

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We got to see the changing of the guard which was different from what you'd see at Buckingham palace in that the guards included women and they were all quite young. Two from the procession stepped up and peformed the ritual with the on-duty guard that involved a lot of (seemingly) angry shouting. Whatever they were saying, they meant it! When the new guard was in place we noticed that her bayonette was mighty sharp. I think I saw daggers as well. You don't really see bayonettes much these days, do you?

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The lion with its mighty paw on the globe symbolised the Swedish empire's reign as a great European power in the 17th and early 18th centuries. (And they didn't miss a detail in carving out that lion's undercarriage.) 

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This was an unusual sight - a classic American muscle car, in purple no less, cruising through Gamla Stan. It's kind of hard to see, but in proper muscle car style, the driver is watching the girls watch him. He likes what they see. 

More to come...in the meantime you can see photos from my previous trip to Stockholm here (just scroll down a bit as this is the Scandinavia category and includes everything). 

December 31, 2013

Afternoon Tea, Art (and the Coolest Toilets Ever) at Sketch

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After screening the second #UnlockArt film in the Le Meridien and Tate produced series last month, we were treated to a fantastic afternoon tea at Sketch in Mayfair. It's a gallery/cafe/restaurant spread over two floors of a converted 18th century building, and it's just a magical place, one of the reasons London is such an incredible city to visit. 

We were taken to the Glade which is where Afternoon Tea is served, a gorgeous, jewel-toned room that had me looking at the walls, ceiling and everything else for several minutes - total distraction!

Glade_SketchPhoto from Sketch.co.uk

The most charming pastry case sits near the entrance of the Glade room:

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We went all-out and had champagne as well as tea which came in white porcelain teapots with bust sculptures as lid handles. 

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The finger sandwiches were lovely, some came topped with caviar and quail egg. My favourites were the mini croque monsieurs.

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I was full by the time I realised I hadn't yet had the parfait sitting next to my plate, but you know my rule, pretty food can't go to waste so I ate it right up, and I was glad I did as it was one of the most delicious things on the table:

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The decor throughout the spaces, from the walls to the ceilings to special installations, was intriguing:

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Now, normally I don't include the fact that I 'went to the bathroom' in a post, but I'm mentioning it this time because it was the coolest thing ever. I was directed to walk up these stairs...

Sketch_bathroomPhoto from RosieParsons.com. I think that's a DJ booth inside there. 

...not realising when I got to the top that I was actually in the bathroom until there was no where else to go, and then I clued in that the glossy white, egg-shaped pods all around me were the toilets:

Sketch_podsPhoto from People.com - Sketch made it on their '7 Public Bathrooms Nicer than our House' list

When I went in, my pod - which glowed pink - was talking to me in a male voice and I have no idea what it was saying. (And I only had one glass of champagne so that wasn't it.) Outside, the mirrors were definitely made to mess with your vanity - they were convex so your face looked warped. I got the message - it was 'Stop staring at yourself and get back to admiring this awesome toilet!' I had to find photos of it online because I don't normally take my camera into the bathroom, people tend not to like that. 

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Lastly, an exterior shot as the car pulled away far too early to take me to Kings Cross station to head back up to Newcastle - I'd love to see what they do for breakfast:

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Thanks to Le Meridien for another wonderful day!

Photos © The Swelle Life unless otherwise credited

December 19, 2013

Sideboard Daydreaming

Sideboard_Punt_SussexThe Punt Sussex Low Sideboard in blue, c. 2000, is my current lust. The design is inspired by the shingled, angled roof of an English cottage. It reminds me of sunny days at the beach. 

Never underestimate the potential power of storage furniture. Take the sideboard, or credenza if you must, a feat of form and function. It provides storage while offering a major feature piece for a space, it can anchor a room, and it will reveal much about its owner. I think opting for a sideboard in the first place, say over a hutch or cabinet which seem to be more traditional choices, reveals a love for design. It's really incredible how two or three boxes on a stand can be endlessly reinterpreted to provide a practical solution to clutter while dramatically enhancing the look and feel of a space.
 
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The designs I've featured here are from Nest who have a selection of sideboards that make me tingly. (Yes, I get tingly for sideboards and I'm ok with that.) Right now I'm selling my huge, ornate French sideboard and hoping to replace it with something sleek and contemporary in the new year. Good design can be prohibitively expensive, particularly from the icon-producing brands. I'm eternally frustrated from finding interior pieces I want to live with forever but happen to be thousands of pounds - most of what you see here, remember this is daydreaming! (And you learn from the icons what makes good design, which helps you develop an eye and recognise desirable features in the lower-priced products). However, there is a lot of good design made with accessibility in mind, so much so that there is always something that will fit with what you're looking for and won't feel at all like a compromise. If you're also looking for value, have a browse of voucherbox.co.uk to find offers from UK furniture and homewares shops.  
 
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If you want to see more products that help you to organise and beautify your space, take a look at the favourites from my Houzz Ideabook Fabulously Decorative Storage.

November 25, 2013

Stockholm: Östermalm and the Waterfront, Part 2

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Carrying on from Part 1 with more scenes of the waterfront and the shopping area of Östermalm, we begin with shots taken from the river. I took my daughter to rent some peddle boats. After choosing one that was impossible to get away from the dock (brilliant!) we moved into one on the end and took off. I forgot how much work it is to get down the water in those things! 

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Once we cleared the bridge we came upon a huge park that we didn't get to see on foot but was certainly pretty enough from the water:

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There was a beautiful house in Scandinavian style, or maybe it was something else - I'll investigate the park more thoroughly next time I'm in Stockholm which will be in May.

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Kind of surreal was this gate that was attached to nothing!

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The entrance to the park was this beautiful electric blue and gold gate:

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I decided we should head back so we didn't go over our hour and have to pay another 200 krona (the equivalent of about £20), but when I turned us around we fell into difficulty. I couldn't steer us and we ended up alongside the rocky bank as if magnetised, and nothing I did to get us away worked. After a good 15 minutes and getting rather sweaty and angry trying I nearly lost my mind! I humbly apologise to Stockholm for the terrible words I called the boat and the rocks. The rocks were completely innocent in the matter, but I'm not so sure the boat was. I honestly thought we were stranded on the river. Still, it probably didn't deserve the Yngvie Malmsteen-esque fury I unleashed upon it. 

Somehow we got righted - the fury worked! - and made our way back to the dock with a few minutes to spare:

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After that interesting outing we headed over the bridge and walked along the seafront toward the shopping district:

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There were lots of houseboats docked along the river:

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We had pistachio gelato on waffle cones and it was probably the best pistachio anything I've had: 

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Weeeeeeee!!!!!!!!

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Stockholm is a very clean city, so I found it funny that the one blatant piece of litter I did see in the Östermalm streets was an Ikea bag. I did not actually see an Ikea, however! 

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I loved the happy mailboxes all over Stockholm in light blue and yellow:

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The guys kind of do look like Alexander Skarsgard, in case you were wondering:

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This was an ad on a bus, but I did wonder for a split second if it was a mobile Abba museum. It's Sweden, you never know! 

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Swedish girls watching the koi in the pond in the city centre:

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There was a marathon in Östermalm that day. If we didn't already get the impression that Swedes are supremely fit and healthy, this certainly demonstrated it. This was their home base where the runners wait to start the race. 

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This cutie wasn't concerned with the race and took a rest in the shade: 

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I know it's immature, but the names of their chocolate bars were funny to me. I bought one each of Kex, Sport Lunch and Plopp for my daughter and had a bite, and have to admit that for cheap chocolate they weren't bad!

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Photos © The Swelle Life

November 20, 2013

Isabella Blow: Fashion Galore!

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Starting today, Somerset House, in partnership with the Isabella Blow Foundation and Central Saint Martins, presents Isabella Blow: Fashion Galore!, a major fashion exhibition celebrating the extraordinary life and wardrobe of the late British patron of fashion and art. Tickets can be purchased from the Somerset House website.

For more about the exhibiton and Isabella Blow's fascinating life in fashion, visit Not Just a Label and Daphne Guiness' Guide to the exhibition on Vogue.co.uk. (Daphne owns her late friend Isabella Blow's entire fashion collection, purchased after her death to stop it from being sold at auction and dispersed.)

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November 18, 2013

Caged Creativity: Dinner as Performance Art

A wonderful film made of our evening captures the magic created by a Taste of Space 

Remember the dinner shrouded in mystery I alluded to previously as part of the Unlock Art series with Le Meridien and Tate? This is it. (It culminated in a completely unpredictable finale which will be revealed at the end.) Promised an 'immersive dinner', created by A Taste of Space, (formerly A Taste Full Space), the evening began with a knock at our door at 6pm in our rooms at Le Meridien Piccadilly. We were each delivered a turquoise wooden puzzle (seen below) which came with a note indicating that the codes we would need to Unlock our dinner experience were inside the puzzle. And that if we struggled to open it (that was me) we could get some help from Franz who was creating molecular cocktails for us in the Terrace Grill & Bar - now that's incentive to admit defeat! 

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After we were warmed up with our codes in hand, we were driven to a secret warehouse in Hackney where we walked through a candle-lit entrance:

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The doors opened to an expansive, dark space filled with elegantly set tables lit with candelabras in cage enclosures, the scene eerily highlighted with spotlights. The effect was so dramatic and mysterious I swear I thought we were enveloped in fog, but as the photos show we were not! 

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We wandered in like wide-eyed children trying to make sense of this magical scene, and unlike children, we were served delicious cocktails:

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We were told by our host, Laurie Trainor Buckingham who is the creative behind A Taste of Space, to expect an evening where anything could happen. We were all very excited!

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The first row of cages contained three tables which were set for the first course, but first we had to open the locks with our codes. 

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We were served organic Scottish salmon cured with beetroot, horseradish and Laphroaig whisky, with a smoked cod roe cracker and stained glass beetroot carpaccio with apple and dill, and hot borscht on the side. Wine was Chablis, Domaine Gilbert Picq et Fils 2009/2010 and complemented the gorgeous starter perfectly. 

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While we were eating we noticed that in the next cage was a young woman who was watching us, then she appeared to be trying to slide under the barrier into our cage! We kept eating while watching out of the corner of our eye, expecting her to pop up beside our table at any moment. 

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We played musical cages and moved to the next set for the second course. It began with potatoes baked in a salted parcel and came with a mallet for breaking them out of - or Unlocking? - their hard shell. They were absolutely delicious, and I decided to try a bit of the shell as well - it was super salty - right as someone came by and told us not to eat that part. (I'm still here so it's ok.) Then a platter of the most tender lamb I've ever eaten, along with Jerusalem artichockes, was placed on our table. We'd heard the lamb was roasted for seven hours. 

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"Um, they're looking at us - what do we do?" Give them the platter of lamb, of course. I slid it under the barrier (thinking they were hungry) but they didn't devour it, they played with it! It's ok, we had finished, it wasn't wasted. 

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While we ate, the dancers - from a performance group called The People Pile - began to do their own thing, moving in all kinds of ways which began to engage and entertain us. This was just the beginning of that!

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What, you've never partied with a banana peel and candelabra? We found ourselves in one of the empty cages - how did they get us in there, they didn't speak! - circled around one of the candelabras. One of the performers who was standing amongst us produced a banana peel and whipped it down onto the floor. We had a laugh at the randomness and then she pointed at the group one by one and each person responded by doing something with the banana peel. It felt a bit Dada which is a great exercise in letting go of expectations to go with the flow and let things unfold as they will - as adults, how often do we get to do that? 

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Dessert, presented in the third and final set of cages, was molten chocolate cake inside a cage of sugar, served with sea salted ice cream and a coffee-based cocktail that was equally decadent. If that wasn't enough to leave one satisfied, a gorgeous cheese course followed and balanced the sweetness of the dessert. 

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Now for that unpredictable final act. After one of the best dinners I've had, and definitely the most unique dinner experience I've ever had, we found ourselves in the very last cage - again, how did they manage to round us up like that? Then the most amazing thing happened. The performers came up to us one by one and hugged us. This wasn't just any hug, it was a very loved-up embrace that really caught me off guard at how powerful it was; this was some serious, good energy they had harnessed. I know what you're thinking: 'Alcohol helps!' Yes, but in this case the experience was what was most intoxicating, and we got caught up in this great thing that unfolded around us. So after I had two of the most heart-felt cuddles ever - from mute strangers no less! - I stood back and took a shot of the scene. 

I think this photo proves it wasn't just me who felt the power of The People Pile:

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Pretty amazing, eh? 

A huge thanks to Le Meridien and Tate for giving us this truly spectacular evening. And to A Taste of Space and The People Pile for creating it.  

Photos by Dave Watts, except photos #2, #9 and last photo, by The Swelle Life

October 16, 2013

The #UnlockArt Film Series Experience Begins...

TheSwelleLife_3D (1 of 1)Upon arrival I was given 3D glasses so I could find my room which had my name encoded on the door - a new way of seeing things? This set the tone for what was to follow....

Here I am again at one of my most favourite places, Le Méridien Piccadilly in London, this time for their UNLOCK ART film series experience. It's only mid-afternoon as I'm writing this and already we've had a day packed with all kinds of wonderful delights ('we' is me and six other lucky bloggers), and we've been told there's a surprise to come before our "immersive" five course dinner experience with A Taste Full Space this evening. We've received instructions to be in our rooms at 6pm for the first surprise and I can't wait to find out what they have cooked up - if I know Le Méridien, it will be out of this world. 

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Click the image to watch the film at the Le Méridien Unlock Art site

This morning at the hotel we were treated to the Unlock Art debut screening of Bringing Performance Art to Life, the first of a series of eight exclusive films created by Tate in partnership with Le Méridien. It was brilliantly presented by Frank Skinner who delivered the most clever of scripts, written by Jessica Lack (with a bit of improv we've been told). The objective of the films is to make art inclusive and accessible to everyone, taking it from 'high brow to street level', to Unlock Art for those who may not otherwise have paid attention for whatever reason, be it they don't understand the art, or think it's not meant for them. Delivered with the perfect dose of respectful humour, this historical survey of this provocative genre was entertaining, engaging and educational, and I wasn't bothered about whether I understood at that moment exactly what performance art is - yes even as an art student I struggled to get my head around it - I just wanted to keep watching. For me, it opened the mind and bridged the gap between 'us' and 'them', and hopefully it will do the same for many others as well. This afternoon we had the opportunity to chat with Susan Doyan who directed and produced the series, and she was lovely. What a talent. This easily digestible tour of the arts, from Surrealism to Pop Art, will continue to roll out monthly at the Le Méridien Unlock Art site. In addition, The Guardian will also be posting the videos. 

Update: The BBC has also featured the story and video which you can see here

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And what better to follow than actual performance art? Pil & Galia Kollectiv's 'A Guide to Office Clerical Time Standards' is an instructional piece based on a corporate manual from 1960. The pamphlet is focused on the time necessary for the accomplishment of minute labour procedures in the office, from the depressing and releasing of typewriter keys to the opening and closing of file cabinet drawers. In the performance, seven costumed performers represent the different levels of management and employment while performing the actions described in the guide, accompanied by a live musical score. It was a very rhythmic performance that captured and held the attention of the audience throughout its repetitive acts. 

Now let's talk about the food. Jumping back to my arrival, I found a treat in my room after I entered be-spectacled in 3D. A trio of fortune cookies were waiting to be opened, and in them were these messages:

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I ate them up and was so excited to see what art was going to be unlocked for us. 

After the performance, a unique array of tiny cocktails and food, both savoury and sweet, were served. Never passing up an opportunity to make a moment special, they presented chocolate covered strawberries hanging from umbrellas which was just so neat!

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After the lovely talk with Susan Doyan I came up to my room and found this:

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Being a three-time (and counting I hope!) veteran of these Le Méridien experiences I knew what was in that teapot: an infused gin, one of the hotel's specialties, and tonic to mix for a totally unique G&T. (See more here.) I was so full after my Caligula-like ravaging of the mini foods (and drinks) but there was no way I was letting that pot sit idle and I poured a delicious cup (and kept going until it was all gone). And I ate more than that one bite missing from the macaron. As you can see, I really had no choice. 

Next up: Our immersive dinner. Hint: Hackney, locked cages, dancing zombie girls...

April 16, 2013

Chanel Film: Bicolor, The Making of the Cardigan

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Click the image to watch the Chanel film Bicolor, The Making of the Cardigan at Chanel News

Leave it to Chanel to turn the making of a cardigan into something magical. From choosing the colour of the finest cashmere threads to the finishing of the piece with those intertwined C buttons - measured for exactness with a wooden ruler - we get a glimpse into the highest level of craftsmanship that goes into making the French fashion house's two-tone cardigans.

Chanel's cashmere is produced in Hawick, Scotland. In fall 2012, Chanel purchased the Barrie Knitwear cashmere mill after its owner company collapsed, saving 176 local jobs and keeping yet another artisan manufacturer from going the way of the Dodo. To date, Chanel has ensured the quality and that unique exquisiteness of their garments by acquiring the struggling couture ateliers Lemarie, the last remaining Paris plumassier, Michel for millinery, Desrues for costume jewellery, Massaro for shoemaking, and Lesage for embroidery. Most of us may never be able to afford a Chanel garment (lottery tickets), but it's nice knowing they're still out there in the world. 

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March 21, 2013

Macaron Day Overload!

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The master of macarons, Pierre Hermé, created this fresh and unusual recipe of mint, apple, cucumber and rocket for his July offering for the Les Jardins 2013 collection

Leave it up to Pierre Hermé to bring us National Macaron day - that's Jour du Macaron in its originating country of France - in association with Relais Desserts. This is its 8th year running annually on March 20th and it's not just about celebrating the beloved macaron and the beginning of spring, it's to support a chosen charity, and this year it's Vaincre la mucoviscidose, the association for beating cystic fibrosis, in France. The idea is that participating patisseries in France and abroad will offer their macarons in exchange for a donation to the charity - that's a great way to truly enjoy your macaron guilt-free. 

In addition to Paris, the cities I've found to be officially participating are Toronto, VancouverNew York and Budapest, and although I can't find a website for London, surely Pierre Hermé (in Selfridges) is supporting a UK charity; last year it was Ambitious About Autism. And the young pastry chef we know from Masterchef Australia, Adrian Zumbo, joined in these last two years but this time is in Kuala Lampur teaching his craft, according to his twitter

I spent the day perusing the participating patisseries for the most mouth-watering and craving-inducing images of macarons and it nearly killed me:

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Dalloyau's candied ginger and apple 

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Christophe Roussel's macaron skewers (oh my god) and Variation de Moment (Changing Moment) of lavender and apricot

TORONTO

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A sunny approach to sweet treats at Butter Avenue - love those minis!

 

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Ruelo's varied selection includes some adventurous options, such as Black Truffle 

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I'll have to investigate whether there's some pistachio chopped up on there next time I visit Rahier

  Jadore

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J'adore Cakes Co. does a pistachio rosewater macaron, two of my favourite flavours, which makes J'adore a high priority on the list to visit this summer

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Moroco Chocolate just may have the most beautiful boutique in Toronto, and they create personalised macarons

NEW YORK

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Macaron Parlour likes to experiment with flavours including candied bacon - why not! - as well as Earl Grey tea and black sesame. 

BUDAPEST

It appears as if this is the most celebratory Macaron Day going in terms of centralising it into a ticketed event and bringing Hungarians together in one space to indulge in macarons. The images I found in their site's gallery may not actually be from Hungary, I recognise one from a New York cafe's site, but rather they're a collection of images people were encouraged to send in - unfortunately they were posted without credit. If one is yours please let me know!

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Thanks to Yashesh!

March 09, 2013

Candy Hearts, Cakes and Elle Fanning by Will Cotton

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Headpiece by Will Cotton, based on Alexander McQueen

This was initially supposed to be a Valentines post...obviously that did not happen. It was too soon after my first post of Will Cotton's works anyway, and that is a lot of sugar to consume at once (no complaints here though).  New York magazine's spring fashion issue featured a cover and spread of Elle Fanning as Will Cotton's latest muse, wearing designs from the spring runway accessorised with sweets and icing against candy land backgrounds that are blowups of Cotton's paintings. I haven't actually seen Fanning in any films so I have no opinion of her as an actress (though I hear she's talented), but I do like her as the human embodiment of sweetness in Cotton's paintings; it rings genuine. (Those Fanning girls really buck the child actor stererotype, don't they?)

Cotton reworked the clothes into "something even more perfect for the environment", adorning them with all kinds of dainty designs made from icing, and 'Cottonised' a brand new Reed Krakoff bag by shoving a couple of big squishy cakes into it!

You can watch the behind-the-scenes video featuring Will Cotton and Elle on The Cut:

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Elle pipes the icing corset Will Cotton created to be worn over a Dolce & Gabbana bodysuit. Cotton made the earrings and headpiece, too. 

Elle_will_1Elle Fanning wears a Marchesa gown in front of Will Cotton's Pastoral, 2009

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Will Cotton hand piped this Erdem dress with icing to create sugar appliques

Elle_will_4Eyes by Will Cotton, based on Dior

Elle_will_11Will Cotton based this dot candy detailed bag on a Fendi design

Elle_will_13This Thom Browne skirt reminded Will Cotton of a tea tray, so he decorated it with petits fours "because what a nice thing would that be?"

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Elle wears a Marc Jacobs dress in front of a version of Will Cotton's Insatiable, 2008

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And you thought your purse was messy. Will Cotton stuffed cakes into this Reed Krakoff bag!

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Elle wears Reem Acra in front of one of Will Cotton's gingerbread house paintings

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An ink on paper rendering of Elle in a Louis Vuitton romper by Will Cotton

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Elle lounges on sugar crystals wearing Valentino's 'glass slippers'

Photos: NY magazine/The Cut

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