Dan Marc is a young designer who launched his collection of distinctive tables and desks in the UK in 2013. Made of powder coated steel and hand dyed birch plywood, his simple, striking designs are available in a range of finishes and feature one or two trench-like storage sections that might remind one of origami from certain angles, adding an unexpected - and useful - dimension to the traditional table top.
In his interview with designSKOOL, Dan talks about his early interest in design and explains how a WW2 rationing scheme would influence his approach to construction:
Where are you based?
I'm currently located in Preston, Lancashire, with a showroom opening here in the city centre around April, although as from September I will also have a studio in Manchester. I'm all about meeting people for meaningful chats over coffee so you will see a larger place opening, hopefully where I can work from as well as display furniture.
What first attracted you to a career in industrial design?
When I was younger, my late father used to spend evenings sketching little pictures in red ink, from beautiful landscapes to detailed images of cars, I guess it was around this time that I discovered an interest for creativity. I never set out to have a career in design, I studied design based on intrigue into new processes and my hunger just grew out of being nosey and interested in everything from Fashion Design to Furniture.
What made you decide to focus on table design?
I always knew my first collection was going to end up being tables. Again, when I was younger I used to be obsessed with my Grandad’s sideboard from the mid-century era. As my sketch work evolved it began to contain more influence from the sideboard, it was at this point when I decided to create The Section Collective.
Can you explain your 'fixless construction'?
I read a book a friend gave me a long time ago about the utility furniture scheme from 1942. During WW2 Britain was forced to implement the scheme so that designers and craftsmen were to ration the use of timber due to our insufficient access to raw materials. Furniture was designed and manufactured using little material, little or no screws or fixings and adopting an unavoidable masculine and robust aesthetic. After researching further, I found a real meaningful and addictive admiration for furniture in its purist form and began designing based around this interest.
Do you incorporate sustainable materials and responsible processes into your work?
I will always choose sustainable materials and be resourceful whilst using them. The great thing about The Section Collective is that there is absolutely no waste, any off-cuts of material from the sheet are used for other projects either by myself or other designers.
What's next for Dan Marc?
Right now I am working on a process video for a new edition to The Section Collective; named The Epoch Edition. The process video will reveal a meaningful story behind the reasons for designing the collection along with some behind the scenes footage. Apart from the move to Manchester, there is a show in May called ‘Best of Britannia’. I will be exhibiting the Epoch Edition (exclusively) at the show along with some collaborative projects towards the end of the year.
Thanks, Dan! For more information on Dan Marc designs and to buy pieces from The Section Collective, visit danmarc.co.uk
Coffee Table and Study Desk in satin dove grey and dyed walnut birch, from The Section Collective
Study Desk in matte black and natural waxed birch