'Shoe as Art' Series: Jan Jansen
I've begun to make my way through this mostly hidden world of shoes that defy the conventional notion of what a shoe is, and I'm taking you along with me on this new 'Shoe is Art' series. We've already seen the make-you-smile designs from Japanese shoemaker Tetsuya Uenobe - who can resist a stuffed leather bear hugging your ankle as you walk? - and we're going to look at other shoe artisans whose footwear creations are so wonderfully unorthodox that they essentially turn your foot into a walking exhibition. They range from the unique-but-not-a-massive-stretch-from-what-we're-used-to-seeing-these-days designs, to some that are just so out there they stop you in your tracks and cause your face to contort just a bit. (That happened to me today when I saw shoes made of dead animals. I guess when we wear leather we're doing the same, but this pair went well beyond the socially acceptable use of animals in footwear - would you be willing to walk on an actual hoof?) Whether you would wear these mind-bending designs or not doesn't matter; but if you're open to the concept, you can catch an intriguing statement from the designer/artist. And if you do wear them, you get to deliver that statement to the world.
Today we're looking at Dutch shoemaker and designer Jan Jansen whose work I was introduced to by Tetsuya when he mentioned Jansen as an influence on his own designs. Not suprising, considering 'the master of shoe design' is one of the most revered figures in the world of shoes, having created some of the most iconic and innovative styles to date. Jansen has been designing unconventional - though still largely wearable - shoes since the 1960s, the styles of which are still as relevant and current as ever, owing to his obliviousness to outside inflences: "Im not a trendsetter. I'm years ahead of the trendsetters." Jansen is probably the most prolific shoemaker when it comes to rethinking the design of the shoe; he is constantly developing new constructions, though he will use the the same ones for years and create variations of some.
Jansen has received numerous awards for his work, including the Kho Liang Ie Prize (1985), the Grand Seigneur (1996), The BKVB Oeuvre Prize (2002) and the Max Heijmans Ring (2006). Many of his works are displayed in museums and galleries in Europe, and still Jansen prefers to refer to himself as a craftsmen, rather than 'artist' which has been attributed to him by peers and fans. In 2007, Christie's auctioned the collection 'Jan Jansen, In His Shoes' - everything sold and all of the estimated selling prices were realised. And significantly, many of the lots were a single shoe.
With the exception of those gorgeous Orchid shoes above which are a current design on the market, this is a retrospective view of selected styles from the past five decades.
'Interchangeable 2', 1967. Metal frame mule with removeable patterned sock
'Serpent's Kiss', 1994, is constructed of a python upper that looks as if it could bite, mounted on a platform and heel which Jansen has reinvented in wavy, ribbon-like stainless steel.
For Snoecks', 2000. Suede, goat leather, patent goat leather, vulcanised sole.
Velazquez boots, 1979. These quilted satin platforms were made in collaboration with Fong-Leng to be worn with her red evening cloak, 'Velazquez'.
One variation of Jansen's iconic sandals with rattan frame, 1975. The original prototype in ochre was copied by Prada in 2006 without credit to Jansen, right down to the colour.
'High Tea', from Meubelcouture, meaning furniture couture. You're right, you can't wear it. It's not a shoe but a chaise longue, the structure of which Jansen based on his famous rattan frame sandal. If you tilt your head you can see that the seat features a face-to-face design in the leather.
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