This is the fourth installment of the LM Series, documenting the discovery of new and wonderful, world class, art and food during 'Le Méridien at Frieze' at which I was a guest in October, hosted by Le Méridien Piccadilly in London.
The starting point of Le Méridien at Frieze was an intriguing panel discussion amongst influential art world leaders, part of the Outset Le Méridien Talk Series which took place in the ballroom at Le Méridien Piccadilly. The question of the day was articulated by Outset co-founder Candida Gertler who asked, "Does size matter? Is it right to keep going? And how do we resist the next big step? Will we be able to sustain it or will we self-destruct in a spiral of ambition? And so the debate began. Le Méridien's Global Cultural Curator Jérôme Sans moderated Frieze co-founder Amanda Sharp, Tate Modern's Curator of International Art, Mark Godfrey, Serpentine director Julia Peyton-Jones and Gagosian managing director of Europe Gary Waterston. In response, each panelist drew upon their own unique circumstances they face in moving their respective gallery or event forward, sometimes at odds with another's view, illustrating how subjective and contextual the topic of whether size matters really is. And that's what made it fascinating. The video above shows highlights from the discussion. (And beyond the compelling topic the film is very well done so I definitely recommend taking a look!)
I wanted to add, that at the dinner that evening at Le Méridien Piccadilly Terrace Bar and Grill (a five-course masterpiece by chef Michael Dutnall with inventive cocktail matchings by master mixologist Boris Ivan - and yes, I kept up, it would be a sin not to), I had the pleasure of sitting across from Jérôme Sans. We had a chat about the topic of the day, and I was so delighted to see right there in front of me how fired up (still) M. Sans felt about the very point of art becoming lost in the quest for growth simply for the sake of it, that someone as accomplished in the art world as he, had not lost sight of what really matters. Art is meant to move people in some way, and if it succeeds, why send it out the door a minute later to make room for something else? And why are we pushing for so much art to be produced? Which made me gush with admiration, even moreso, for what Le Méridien is doing for art, not as a commodity but as an enrichment of culture and ultimately, the individual. It's not all about what happens at Sotheby's.